Each tune's eq may seem perfect by itself, however if you sequence them together, suddenly one song sounds too intense (or too dull ...). Changing the eq can even everything out. Tip # 1: bear in mind that any eq modifications to your stereo mix affect the whole mix - if you wish to cut 3 db at 80Hz since your mix sounds muddy, remember to check how that impacts all the instruments (e.g. the vocal), not just the bass guitar and kick drum. Tip # 2: if you're not sure about an eq choice during mixdown, know that it's much easier to cut lower frequencies in mastering than to increase them, and easier to enhance greater frequencies than to cut them. Compression: In mastering, this is used not simply to control a mix or to add character, however also to "print" or send as much level to the master as possible without clipping the signal. This can nearly feel like a competition for who has the loudest cd (" my record sounded excellent up until I listened on my CD carousel and Green Day was 5 db louder!"). But mastering engineers need to stabilize level with sonic integrity. Levels: Preferably, a listener can play your record and not have to get up to change the volume. This is dealt with in mastering, after the record has actually been sequenced. Just then can you really understand how levels relate to each other as one tune ends and the next begins.
Spacing & Crossfading.
Spacing: there are various approaches as to how one ought to approach the areas put in between tunes on a record. Final idea: you might be inclined to master the same recordings that you blended, whether it is for monetary reasons, innovative factors, or merely since you can. We highly recommend that you get someone else to master your job.
Normal areas of concern for a mastering engineer are: equalization (eq), compression, levels (volume) relative from one song to the next, and spacing between tunes. Or you might have ten songs blended by 3 different engineers in five various studios.
Each tune's eq may seem ideal by itself, however if you sequence them together, suddenly one tune sounds too intense (or too dull ...). Tip # 1: remember that any eq changes to your stereo mix impact the entire mix - if you want to cut 3 db at 80Hz because your mix sounds muddy, keep in mind to examine how that impacts all the instruments (e.g. the vocal), not just the bass guitar and kick drum. Compression: Free Type Instrumentals Trap In mastering, this is used not just to manage a mix or to include character, but also to "print" or send as much level to the master as possible without clipping the signal.
